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The transactions need to be parameterized to allow specification of which projects/modules to get, and which versions 3 Compile the checked-out codebase 4 Package the application and code upon which it depends for deployment into the containers in which it runs For example this probably involves the creation of at least one jar file 5 Deploy the application into its containers This may involve configuring the containers for the application 6 Initialize or update databases This step involves initializing or updating any persistent stores or other resources the application may depend on For example this may involve running DDL scripts, and loading any data the application might require to operate 7 Start the application running 8 Test the installation, perhaps, using a unit test suite or perhaps even a load test harness The administration of environments needs to be as reliable, repeatable, and efficient as possible.

Few things are more frustrating than spending hours chasing down an apparent bug in some environment, only to discover the root.

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46. The Smart Sharpen dialog box should still be open. If it isn t, open it. You can view the effects of the filter in two ways: Zoom your image to 50 percent, and position the Smart Sharpen dialog box so you can see your image while you work with the dialog box (my preferred method), or zoom the huge preview window in the Smart Sharpen dialog box to 50 percent by clicking the minus sign located just below the preview area.

10. Save your page. Next, you ll learn how to extract the necessary graphic elements from Fireworks for the navigation tabs and bring them to Web standards life in Dreamweaver.

WEEKDAY function, 430 WEEKNUM function, 430

and proceed to design an adaptive linear equalizer for it. The equalizer structure is shown in Fig. 111.2. Symbols { s ( i ) }are transmitted through the channel and corrupted by additive complex-valued white noise { ~ ( i ) }The received signal { ~ ( i )is} processed by the FIR equalizer to generate estimates . {i(i - A)}, which are fed into a decision device. The equalizer possesses two modes of operation: a training mode during which a delayed replica of the input sequence is used as a reference sequence, and a decision-directed mode during which the output of the decision-device replaces the reference sequence. The input sequence { s ( i ) }is chosen from a quadrature-amplitude modulation (QAM) constellation (e.g., 4-QAM. 16-QAM, H-QAM, or 256-QAM).

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This effect is okay, but it s not very dynamic. Try using Photoshop s transform commands to give it something extra. First, select the whole shape layer by clicking it in the Layers palette. If the layer s vector mask is selected, with a rectangular border around its thumbnail, click its thumbnail to deselect it. Then choose Edit Free Transform, or press Ctrl+T ( +T on the Mac), to start transforming the shape layer.

If matching regexes returns something, then this can be assigned to a variable, which then can be printed out. Code sample 2.29 does exactly this using dashes as delimiters. The output is just --1-, so $ r e s u l t 1 has the empty string (since there is nothing between the first two dashes), and $ r e s u l t 2 has the string or number 1.

focusing on the above issues one at a time. Working this way allows me to solve the big problems and set the tone for the rest of the work to be done on the image.

$400,000

F. Adachi and M. Sawahashi, Performance analysis of various 16 level modulation schemes under Rrayleigh fading, Electronics Letters, vol. 28, pp. 1579-1581, November 1992.

Many of the images used in this book are on the CD, found in folders, by chapter. If a photo or other image is used more than once, in more than one chapter, the folder corresponding to the chapter where it first appears is where you ll find it on the CD. Whenever possible, we ve provided images in their pristine state before special filters, color, or light-adjustment tools, and so on were applied to them. For images that appear only after they ve been retouched, the final version appears on the CD. Note that images provided on the CD may include those that are copyrighted by their creators; therefore, any use of any images from the CD for commercial use is prohibited. Feel free to play with the images on your own computer, but do not use them, in whole or in part, in print, Web, or other materials. We ask this out of respect for the photographers and other artists who created them and were gracious enough to allow them to be used in this book. If there s an image you see in the book that you don t find on the CD, the image has not been included because the photographer did not give us the right to distribute it.